Logic pro x for dummies pdf free. Follow the Author

Download PDF. Get More and Do More at Dummies. At home, logic pro x for dummies pdf free work, or on the go, Dummies is here to logic pro x for dummies pdf free you go digital! To access the Cheat Sheet created specifically for this book, go to www. From eLearning to e-books, test prep to test banks, language learning to video training, mobile apps, and more, Dummies makes learning easier.

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You learn how to record, arrange, edit, mix, and share your music, becoming a self-sufficient musician with your computer and Logic Pro. This book will guide you to make more music. My world would be a curious logic pro x for dummies pdf free, filled with willing musical partners. Logic Pro X For Dummies is my honest attempt to make musical partners out of every reader, including you. This book is designed to get you making music fast.

Regardless windows server 2016 standard edition r2 free your current capabilities, the step-by-step instruction in this book will get you making music fast. I want you to feel confident using the software so you can complete more projects and share your music — with others and with me.

This book gives you the most important information logic pro x for dummies pdf free need to quickly meet your musical goals and turn your ideas into completed projects. Logic Pro X For Dummies is organized for easy access. If you purchased the e-book, links logic pro x for dummies pdf free live and will take you directly to the web page.

Foolish Assumptions As I said, I want to give you instant talent, but I have to make some assumptions about you, my friendly reader. I believe that you bought this book not only to learn how to use software but also to create music. Logic Pro is the tool and your music is the reason the tool exists. I love to train musicians because they are great listeners. The more music you make, the better listener you become. Readers love to scan and I love to write for scanners.

Tips go beyond step-by-step instruction into strategies and techniques to make better sounding music. Pay close attention to the tips! Introduction The Remember icon points out information that you need to keep in mind as you use Logic Pro. After all, the book remembers everything for you in the long term. The Technical Stuff icon points out information that can be either skipped or treated as extra credit. The Warning icon microsoft office access 2007 tutorial youtube free reserved for potential mistakes that could cause you to sound bad.

So when you see the Warning icon, please read it! Beyond the Book As mentioned, I deliver content outside this book in the form of videos and project files. These videos should help you visualize the content of the book, and the project files are excellent resources for starting out. In addition, For Dummies books include one of my favorite tools of all time, the cheat sheet. You also have access to Dummies. Where to Go from Here Although I wrote the book to be somewhat linear and to follow a logical progression, you can start anywhere you want.

Because I reference chapters throughout the book, you should be able to open any chapter and follow along. These chapters make up Part I and will get you started using Logic Pro and understanding how it works.

Part II shows you how to record audio, load and play software instruments, and add prerecorded media to your project. Part V is dedicated to mixing audio so that the final result sounds good and is ready to share with the world. From the beginning of the book to the end, you have a powerful music production blueprint. I hope you get what you need. If you should have a question, you can find me online or on Facebook at www. In this part Develop a productive workflow and mindset.

Logic pro multiple controllers free download your projects for collaboration and back up and secure your work. Navigate the software interface, play and control your project, and explore the tools.

Adjust your tempo and time signature, save track settings for instant ссылка, and learn how to edit and loop regions. I would argue that it was logical but not intuitive. The product just keeps getting better and better. One caveat: As you explore Logic Pro, remember your desired outcome.

With so many bright and shiny objects in this deep and powerful app, getting distracted is easy. Take command. Logic Pro listens. In this chapter, you discover why Logic Pro users are proud, productive, and ready to play. This product evolved into the Creator software program and eventually became Notator Logic, which ran on the Atari system in the early 90s. I have upgraded Logic Pro and the Mac operating system within a week of new releases and have yet to encounter any problems.

Some DAWs do one or the other really well, but Logic Pro does both with superb sound quality and ease of use. I rarely get asked hardware questions from my clients because the product just works. When you need to hand out chord charts to the band or provide fully engraved charts with advanced markup to the orchestra, Logic Pro has you covered.

Logic pro x for dummies pdf free Pro can also create guitar tablature and add lyrics to your score. An inexpensive MIDI controller can be turned into a remote control for advanced control or when the hand you use for your mouse or trackpad begins to ache from overuse.

If your computer can handle it, you can have audio tracks, software instrument tracks, and auxiliary tracks. You can run more plug-ins and more software instruments without a hiccup. Surround sound, virtual vintage instruments, drum machines, guitar amps and pedals, pitch and time editing, and MIDI effects are a fraction of what you have available as a Logic Pro user. Congratulations on making such a smart choice to embrace Logic Logic pro x for dummies pdf free.

Welcome to the club! I happen to be a fan of GarageBand and use it regularly because it integrates so well with Logic Pro. GarageBand 10 users are familiar with smart controls, but with Logic Pro X you can do a lot more with them, such as control and edit more parameters.

Being able to start projects on one of those devices and continue working on them in GarageBand or Logic Pro creates a powerful workflow. Did I just give the whole book away right there? Not quite, but understanding Logic Pro is almost that simple. Just remember, if your objective is clear, Logic Pro can help you reach it.

From country to dance music, songwriting to film scoring, по ссылке MIDI performances to professional audio recording, Logic Pro will excite your passions and showcase your strengths. Logic pro x for dummies pdf free the way and Logic Pro will follow. My advice to new and seasoned Logic Pro users alike is to set a goal and work steadily towards that goal. Creativity loves speed. Slow and tedious labor kills creativity faster than anything.

So set a clear objective and move quickly towards completion. Planning your creative process You can always wait for inspiration to strike you — but you could end up waiting a long time. Are you learning something or creating something? So give yourself learning limits and give yourself creative projects. Connecting to the purpose of your project will keep you motivated and moving in a clear and forward direction. Logic Pro comes with lots of tools and editors to help you achieve your creative goals.

Spend 5 to 15 minutes learning a single tool, function, or editor. You will have many opportunities to do this throughout the logic pro x for dummies pdf free. Lots of my students find it easier to separate writing a song from recording a song. Writing a song means starting from scratch and trying out ideas. Not all projects have to be big and grand. A simple 8-bar piece of music can become a loop that you can use in another project or license to another logic pro x for dummies pdf free.

Use the orchestral instruments or synthesizers to create a score for a video or just logic pro x for dummies pdf free fun. If you have any home videos on your computer, you can import them to Logic Pro and give them a soundtrack. Play the video at the next holiday reunion, and your film composition is sure to impress friends and family. Spend 30 minutes with any of the Logic Pro virtual instruments and come up with your own sounds.

Several synths even come with a randomize button to keep the sound fresh.

Logic pro x for dummies pdf free. Logic Pro X For Dummies

 
You can always wait for inspiration to strike you — but you could end up waiting a long time. Agile project management is a fast and flexible approach to managing all projects, not just software development. Blink Smart Security for Every Home. Learn more fre customers reviews work on Amazon. Need to record podcasts, voice-overs, or narration?

Logic pro x for dummies pdf free. [?] Read/Download Logic Pro X for Dummies Kindle Pdf

At its nearpermanent spotin the topten grossing appsinthe entire MacApp Store, Logic ProX has proven itselftobe inhigh demand. You shouldn’t expect anything less than stellarsoftware fromApple. And there’sa good reason why Logic Prois Read Now ». This book provides the know-how for navigating the interface, tweaking the settings, picking the sounds, and all the other tech tasks that get in the way of capturing the perfect take.

It offers sophisticated notation, scoring, layout, and printing tools, audio recording and editing These programs run only on Mac systems. Logic Pro X has been around for a while and is one of the top programs available. Music: Contains audio files, such as music tracks stored in Music, or created by GarageBand or another audio application, such as Audacity or Logic Pro X.

Pictures: Contains digital photographs, such as those you import into Hope you enjoy all that extra screen real estate as much as I do! Originally cross-platform written for both Windows and Mac , it became a Mac-only software package when Apple bought out Emagic in Apple’s Logic Pro X levels the playing field, making high-quality studio recordings accessible for any musician.

It’s a professional-level tool with a user-friendly interface and loads of new features to keep you more organized so you can focus on creating rather than computing. Create your own drum kit, or work with the native virtual session drummer. Add flavor to your sound with new Pedalboard stompboxes, and fine-tune it all with Flex Pitch.

Written by veteran music and audio professional Graham English, Logic Pro X For Dummies jumps right in to using Apple’s high-end recording software so you can focus on doing what you do best—making music.

From navigating the user interface to working with real and virtual instruments, recording tracks, editing audio, adding plug-ins, and everything in between, you’ll learn how to turn your musical inspiration into a fully-engineered and mastered demo. Shows you how to create a project, record live audio and MIDI tracks, import video, and mix songs like a pro Covers editing audio and adding effects and plug-ins to achieve your ideal sound Walks you through the entire audio engineering process from mix-down to mastering and exporting your final cut Includes information on how to use iPad and its touch interface to create amazing sound If you’re serious about your sound, Logic Pro X For Dummies is your ultimate guide to achieving the quality you’ve been dreaming of and turning the volume up on all your musical endeavors.

Podcasting For Dummies offers a fast and easy way to get the know-how you need to produce and distribute one of your very own. Written by a pair of podcasting pioneers, this book shares insight on the technology behind recording, editing, and sharing podcasts, along with tips and tricks on how to produce a pro-level podcast. Podcasting has enjoyed a recent boom thanks to a new crop of hit podcasts catching the ears of the public and media along with the continued growth of mobile and streaming devices as a source for entertainment.

If you want to jump on the podcasting bandwagon, you’ve come to the right place! In this fully updated edition, would-be and experienced podcasters alike will get all the tech information, production insight, and promotional tips they need to either get a podcast off the ground or improve on an existing one.

Get the gear you need Find your podcasting voice Find and build an audience Plan your podcast New tools have made it easier than ever to create a podcast—and this book shows you how. When most people think of a composer, they picture a bewigged genius like Mozart or Beethoven frenetically directing mighty orchestras in the ornate palaces of Vienna.

While that may have been the case once upon a time, modern composers make themselves heard far beyond the classical conservatoire and concert hall.

These days, soundtracks are in high demand in industries such as TV, film, advertising, and even gaming to help create immersive and exciting experiences. Whatever your musical ambitions—composing a dark requiem in a beautiful Viennese apartment or producing the next great Star Wars-like movie theme in LA—the fully updated Music Composition For Dummies hits all the right notes to help you become confident in the theory and practice of composition. To help you translate your musical ideas from fleeting tunes in your head to playable bars and notation on paper, professional composer and instructor Scott Jarrett and music journalist Holly Day take you on a friendly step-by-step journey through the process of musical creation, including choosing the right rhythms and tempos, creating melodies and chord progressions, and working with instruments and voices.

Organize and preserve your musical ideas Formalize your knowledge with professional vocabulary Get familiar with composition apps and software Make a demo and market on social media Filled with musical exercises to help you acquire the discipline you need for success, Music Composition For Dummies has everything you need to turn your inner soundtrack into a tuneful reality! Written by a Logic Pro X trainer who’s used the software to further his own music career, Logic Pro X For Dummies cuts back on the time needed to learn the software and allows for more time making amazing recordings.

Record live sound sources or built-in virtual instruments Arrange your tracks to edit, mix, and master Discover tips to speed the process and record on an iPad Make sense of the latest software updates A favorite among Logic Pro X beginners, this book is updated to reflect the ongoing changes added to enhance Logic Pro X’s recording power.

Today, the tools to create high-fidelity, multi-track audio are found on computers, tablets, and even smartphones. This friendly, no-jargon guide from a master musician, composer, and recording engineer shows you how to use technology to lay down, edit, mix, and master your ideas. Along the way you’ll get insider tips that help you create your sound and transform your good recordings into great ones.

Acquire the right hardware Find the ideal recording space Get to know different mics Record live or virtual sounds Get rhythmic with tracks and loops Enhance and edit tracks Polish songs to perfection Distribute your finished product. Now updated with what you need to know about the newest generation of hardware and software, Macs All-in-One For Dummies is your guide to simply everything: protecting your Mac; backing up and restoring data with Time Machine; managing applications on the Dock, Launchpad, and Desktop; syncing with iCloud, organizing your life with Calendar, Reminders, Notes, and Notifications; presenting with Keynote; crunching with Numbers; getting creative with iMovie and GarageBand—the list goes on!

Get started on your new Mac journey today! Mac” since —this guide starts with the basics, like getting set up, and explains more advanced uses, like making music and movies, exploring the expanding universe of apps and giving tips on how to save time and enhance productivity along the way.

With this book, you’ll learn to Set up and connect your Mac Get friendly with Siri Enhance your world with apps Work better and faster Use the comprehensive capabilities of macOS Big Sur to do anything and everything you would like to do—and do it even better. For beginners and experts alike, macOS Big Sur For Dummies is the best way to step into the magical world of getting things done with Mac. The harmonica is one of the most popular and versatile instruments in the world.

There are several reasons harmonicas are awesome—you can play them anywhere, they’re inexpensive, and you can show off in dozens of musical styles. The friendly and pleasingly tuneful Harmonica For Dummies is the fastest and best way to learn for yourself!

You’ll find an easy-to-follow format that takes you from the basics to specialized techniques, with accompanying audio and video content included to make learning even more simple and fun. Before you know it, you’ll be playing jazz in your living room and the blues on your way to work or school—and that’s just the prelude to mastering classical riffs.

That’s right, the humble harmonica has graced some of the grandest concert halls on planet Earth! Choose the right harmonica Enhance your sound with tongue technique Develop your own style Perfect your live performance The harmonica is awesome to learn, but even more awesome to learn well, and Harmonica For Dummies will get you on the road from being an occasional entertainer to becoming an accomplished live performer. If you think this book seems familiar, you’re probably right.

The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Harmonica For Dummies The book you see here shouldn’t be considered a new or updated product. But if you’re in the mood to learn something new, check out some of our other books.

We’re always writing about new topics! Composing Digital Music For Dummies shows you everything you need to know to compose great tunes using the hottest digital tools. This friendly, plain-English guide explains all of the digital music basics, including how to work with the latest hardware and software, use templates from the companion CD-ROM to make a quick start, build your first tune, and save it in different formats.

Discover how to: Write and arrange digital music Determine what — if any — equipment you need Create your own ringtones and mp3s Compose with a MIDI controller, or a mouse Work with notation software Use keyboard shortcuts Publish your creations on the Internet Build your own tune from scratch Extract parts from your score for each instrument The companion CD-Rom also includes a demo of Sebelius 5, the most popular music notation software, as well as audio files for all music examples in the book.

Logic pro x for dummies pdf free. Logic Pro X – 01 PDF

Beyond the Book As mentioned, I deliver content outside this book in the form of videos and project files. These videos should help you visualize the content of the book, and the project files are excellent resources for starting out. In addition, For Dummies books include one of my favorite tools of all time, the cheat sheet. You also have access to Dummies. Where to Go from Here Although I wrote the book to be somewhat linear and to follow a logical progression, you can start anywhere you want.

Because I reference chapters throughout the book, you should be able to open any chapter and follow along. These chapters make up Part I and will get you started using Logic Pro and understanding how it works. Part II shows you how to record audio, load and play software instruments, and add prerecorded media to your project.

Part V is dedicated to mixing audio so that the final result sounds good and is ready to share with the world. From the beginning of the book to the end, you have a powerful music production blueprint. I hope you get what you need. If you should have a question, you can find me online or on Facebook at www. In this part Develop a productive workflow and mindset.

Share your projects for collaboration and back up and secure your work. Navigate the software interface, play and control your project, and explore the tools. Adjust your tempo and time signature, save track settings for instant recall, and learn how to edit and loop regions.

I would argue that it was logical but not intuitive. The product just keeps getting better and better. One caveat: As you explore Logic Pro, remember your desired outcome. With so many bright and shiny objects in this deep and powerful app, getting distracted is easy. Take command. Logic Pro listens. In this chapter, you discover why Logic Pro users are proud, productive, and ready to play.

This product evolved into the Creator software program and eventually became Notator Logic, which ran on the Atari system in the early 90s. I have upgraded Logic Pro and the Mac operating system within a week of new releases and have yet to encounter any problems. Some DAWs do one or the other really well, but Logic Pro does both with superb sound quality and ease of use.

I rarely get asked hardware questions from my clients because the product just works. When you need to hand out chord charts to the band or provide fully engraved charts with advanced markup to the orchestra, Logic Pro has you covered. Logic Pro can also create guitar tablature and add lyrics to your score. An inexpensive MIDI controller can be turned into a remote control for advanced control or when the hand you use for your mouse or trackpad begins to ache from overuse.

If your computer can handle it, you can have audio tracks, software instrument tracks, and auxiliary tracks. You can run more plug-ins and more software instruments without a hiccup. Surround sound, virtual vintage instruments, drum machines, guitar amps and pedals, pitch and time editing, and MIDI effects are a fraction of what you have available as a Logic Pro user. Congratulations on making such a smart choice to embrace Logic Pro. Welcome to the club! I happen to be a fan of GarageBand and use it regularly because it integrates so well with Logic Pro.

GarageBand 10 users are familiar with smart controls, but with Logic Pro X you can do a lot more with them, such as control and edit more parameters. Being able to start projects on one of those devices and continue working on them in GarageBand or Logic Pro creates a powerful workflow. Did I just give the whole book away right there? Not quite, but understanding Logic Pro is almost that simple. Just remember, if your objective is clear, Logic Pro can help you reach it.

From country to dance music, songwriting to film scoring, capturing MIDI performances to professional audio recording, Logic Pro will excite your passions and showcase your strengths. Lead the way and Logic Pro will follow. My advice to new and seasoned Logic Pro users alike is to set a goal and work steadily towards that goal. Creativity loves speed.

Slow and tedious labor kills creativity faster than anything. So set a clear objective and move quickly towards completion. Planning your creative process You can always wait for inspiration to strike you — but you could end up waiting a long time. Are you learning something or creating something? So give yourself learning limits and give yourself creative projects. Connecting to the purpose of your project will keep you motivated and moving in a clear and forward direction. Logic Pro comes with lots of tools and editors to help you achieve your creative goals.

Spend 5 to 15 minutes learning a single tool, function, or editor. You will have many opportunities to do this throughout the book.

Lots of my students find it easier to separate writing a song from recording a song. Writing a song means starting from scratch and trying out ideas. Not all projects have to be big and grand. A simple 8-bar piece of music can become a loop that you can use in another project or license to another artist. Use the orchestral instruments or synthesizers to create a score for a video or just for fun. If you have any home videos on your computer, you can import them to Logic Pro and give them a soundtrack.

Play the video at the next holiday reunion, and your film composition is sure to impress friends and family. Spend 30 minutes with any of the Logic Pro virtual instruments and come up with your own sounds. Several synths even come with a randomize button to keep the sound fresh.

Ever wondered what a six-foot guitar made of cardboard would sound like? Me neither, but you can make it happen with the Sculpture software instrument in Logic Pro. These examples are just a sampling of the types of projects you can start.

The main point is to set a clear objective so you can achieve your goal. When inspiration fades, so does motivation, unless you have a strategy for getting to the finish line. Give yourself the shortest time frame for completing a task. Set aside 10 hours to complete a job, and it will take 10 hours. Set aside 30 minutes, and the job will take 30 minutes. For larger projects, put a deadline on the calendar and stick to it.

This suggestion might sound rigid, but the only thing you have to lose is your uncompleted projects. Dream big but be realistic.

You might want to write a chart-buster, but begin by writing a simple song with a clear structure. Then you can build upon your new skills and improve with each project. Typically, an album is made up of many songs, each song is made up of many instruments recorded on separate tracks, and each track is made up of many takes that are edited and turned into a final take.

The fewer parts you commit to your project, the easier it will be to complete. Lots of great songs have only four instruments, including the lead vocal. You can play the software instruments with your computer keyboard by using musical typing described in Chapter 7. You can import media from a variety of sources, such as iTunes or iMovie as detailed in Chapter 8. You can use headphones or your computer speakers to listen to your project.

Your computer probably has a built-in mic, but you might also want to capture audio from a variety of sources such as a keyboard, guitar, and microphone. You may want to be able to record more than one instrument at a time. Audio interfaces allow you to get professional sounding audio into your Logic Pro project. You can get inexpensive, good quality input devices through major retailers such as Amazon and the Apple store, or you can search eBay and Craigslist for used options.

USB and Thunderbolt connectivity are standard on the latest Apple computers. Firewire might be another option, depending on the capabilities and age of your computer. In a pinch, your computer speakers will do just fine. For a more accurate picture of your audio, listen to your project on a set of monitors that produces the entire frequency range.

Best of all, the app is free! It connects to Logic Pro through your Wi-Fi network. Got a keyboard sitting 20 feet across the room? No problem: Use the iPad to control Logic Pro remotely. I cover Logic Remote in Chapter Purchase and install it an installation wizard will guide you — but be patient while downloading because the program is about MB. You need a minimum of 5GB of disk space plus 35GB if you want to add optional content available through a free in-app download.

Select all the additional content packages you want to install, and then click the Install button. I recommend finding the hard drive space to download the additional content because the instruments, samples, and loops you get are fantastic and fun to play. Turn off Time Machine temporarily if you encounter any issues.

When I arrange or edit my projects, I often leave other apps open. When apps are hidden and not actively working, they enter app nap to save power and battery life. This feature might get in the way if you put Logic Pro in the background while you, say, look at lyrics in a text document while recording your voice. Then select the Prevent App Nap check box. You should enable them so that you can follow along with the examples in this book.

Your Mac probably has a built-in line in or microphone. These may work in a pinch, but professional-quality recordings need professional hardware. Luckily, most professional hardware is compatible with Logic Pro X, so you should have a simple plug-and-play experience.

Select the Devices tab, as shown in Figure , and use the Output Device and Input Device drop-down menus to choose your audio hardware. This key command will display the Preferences in most applications on your Mac. Similarly, if you plan to control Logic Pro from a MIDI controller, your computer needs to be connected to the controller. Check the literature; Logic Pro will probably be mentioned. Playing software instruments with a MIDI keyboard controller is usually a plug-andplay experience without any need for customization.

With all your hardware connected, Logic Pro X is ready and waiting for your commands. You can create music with a computer and the Logic Pro software alone.

However, if your goals are more ambitious and you want to get good sounds into and out of Logic Pro, consider Chapter 1: Getting Logic Pro Up and Sprinting your hardware and the acoustics of your listening environment.

With a Mac computer and Logic Pro X, your baseline for quality and fun is already high. Spend your money wisely and spend your time creating, not buying. The setups in this section can be built inexpensively. In a recording setup, such as the one shown in Figure , you need to get audio from instruments or microphones into Logic Pro. Your audio interface is the intermediary between your computer and the peripherals.

Figure A typical recording setup. An audio interface is still needed to transmit audio in and out of your system. In this case, you need an audio interface to get audio from Logic Pro and into a pair of monitors, as shown in Figure You may, however, use a controller to mimic a mixing console with faders, knobs, buttons, and other useful features that control Logic Pro remotely.

I love to travel, and I never go anywhere without a laptop and an instrument. I travel with guitars, drum machines, small keyboards, and sometimes more than one of each. I like to keep the setup as simple as possible while affording me the flexibility that I love. In a mobile rig, such as the one shown in Figure , headphones will replace speakers, and portable interfaces and microphones will be used to get audio in and out of Logic Pro. Figure A mobile audio rig.

If you plan on performing live, consider buying MainStage, the companion app to Logic Pro. MainStage shares all the instruments and presets with Logic Pro but is designed for live performance. You get an amazing studio at an amazing price and you can do amazing things with it. Projects are flexible. When disk space is a concern, for example, you can save only the assets you want to keep. You can create project templates to speed up your workflow and set up Logic Pro exactly how you want to work.

Each project contains global settings of the entire project as well as different snapshots of the project, such as different arrangements, mixes, or treatments. For example, you can create an alternate version of your project if the producer calls for a version without a vocal for when the performer needs to sing live on TV to a backing track.

In this chapter, I cover naming conventions to keep all your projects organized, tips and tricks to speed up your workflow, strategies for archiving and backing up your work, and much more. The file extension of a Logic Pro project is. The project file contains MIDI events, parameter settings, and information about the audio and video in your project.

Your tracks contain regions. Your regions contain events. The File menu is where you do most of your project-level work. A New Tracks dialog window opens, as shown in Figure At the top of the screen, choose the type of track you would like to begin working with and then click Create.

Figure The New Tracks dialog is where you choose your first track. The Project Chooser window opens, as shown in Figure You can select a premade project template, a recent project, or your own customized project template.

I show you how to create a customized orchestral template in Chapter Click Details on the left to display even more options for your new project, such as the tempo, time and key signatures, and audio input and output. You can change any project option, but you should stick to a single sample rate.

The default sample rate, The 48 kHz sample rate is often used in video projects. Using higher sample rates depends on your hardware capabilities and project needs. Choose a custom startup action to tell Logic Pro what to do when you launch it. If you, like me, are a mere mortal, you might want to open the most recent project on startup.

Then select your startup action. Logic Pro is kind enough to ask you what to do when it starts. Figure Customize your startup action.

Opening a project You can open a project in several ways. You can click a project file in Finder, which will launch Logic Pro and open the project. If another project is open, Logic Pro will ask if you want to close the project. To switch between open projects, choose Window on the main menu and then select the project in the list at the bottom of the menu.

It can also open projects created with earlier versions of Logic Pro. If this is your first time launching Logic Pro X, you can open a demo project from the Help menu. Saving a project When you create your project, it is autosaved in the Logic folder under the temporary name Untitled. In the Save dialog that appears, name your project and choose a location or keep the default location, which is the Logic folder.

You can choose to organize your project as a package or a folder. A package saves your project as a single file that includes all project assets. A folder saves the project file and saves its assets in subfolders.

You can also choose to copy specific file types into your project. The benefit to saving a project without assets is that you conserve hard drive space. The downside is that it can be easy to mistakenly delete assets the project depends on.

Hard drive space is inexpensive, so it makes sense to include all assets in your project folder. By doing so, organizing, moving, and archiving projects will be easier.

I find saving projects as packages is the simplest approach. You can view the contents of packages all package file types, including Pages, Keynote, and Numbers files by Ctrl-clicking the package in Finder and choosing Show Package Contents.

All your audio files and assets will be in the Finder window that opens. If you want to save the project with a different name or in a different location, choose Save As on the File menu. If you want to create a copy of the project, choose Save a Copy As on the File menu. Both are on the File menu. The Close command simply closes the currently focused window.

However, if your project has only one window open, which is often the case, using the Close command will also close your current project. For example: C Mixolydian bpm funk verse 1 Naming your file this way enables you to match projects based on mode and tempo.

If you eventually come up with a title for your project, use the Save As command described earlier or just rename the project file in Finder.

Augmenting Your Project Projects are so basic to your workflow that you may take them for granted after a while. But you can do several cool things at the project level that will make your time with Logic Pro more productive. Saving time with project templates When you create a project see earlier in this chapter , you see Project Chooser, where you can begin a project from a premade template.

These default templates are excellent starting places. You can also create your own project templates. You find out how to create an orchestral template in Chapter Templates are excellent productivity tools. I spent hours hunched over a computer keyboard instead of doing my homework, completely focused, with no bathroom breaks, until the electricity went out.

Even though I was crushed, I jumped back in, and sequencing was much easier the second time around. Fortunately for you, Logic Pro X autosaves your work. If Logic Pro should crash, when you reopen the project, it will ask you to choose an autosaved version or the last manually saved version.

However, even though the program autosaves, get in the habit of saving your work after every important change you make. Recover from problems with project backups What would you do if your computer was stolen or ruined? Barring the financial considerations of buying a new computer, could you recover quickly?

If I were to lend you my own computer, could you rebound and save the game? I back up all my computers using Apple Time Capsule, built-in Time Machine software, and a few rotating external drives. I also back up my entire computer offline using Amazon S3 cloud storage. I sync my current projects using Dropbox so I can work on them at multiple computers. As long as you have Show Advanced Tools selected in the Advanced Preferences pane see Chapter 1 , you can revert to an earlier saved version of your project.

Every time you save your project, a backup is made. A list of your time-stamped project backups allows you to go back in time to a previously saved project. Create options with project alternatives You can create alternative projects within a project. This feature saves you from creating new projects or copies of projects every time you want to try something new.

If everything is self-contained, you can try things out until your mad genius is content. As shown in Figure , each project alternative is time-stamped, which helps you know which project is the most recent and which is the original. Figure Rename and remove project alternatives. Create an alternative with a short intro geared towards music industry professionals.

Or try different instrumentations. Or if your band has a prima donna who needs to be louder than everyone else, let that band member hear 25 26 Part I: Leaping into Logic Pro X the louder version while the rest of the band hears the version you so expertly crafted.

Or perhaps you want to hear how the project would sound with a song section in a different place. With project alternatives, you can record a female singer on the version you want the public to hear but record a male singer when sending the demo to potential clients or artists. Or create an alternative without the vocal, in case the singer needs to perform the song to a backing track. See Chapter 19 for information on the different alternate mixes you should produce.

Figure Set global settings for your project. Selecting bars and beats stores tempo information in the audio files you create. Using the Time setting also changes the primary ruler to display time instead of bars and beats. You can also control an external click via MIDI if you prefer to use a different sound. The MIDI settings give you several options for recordings that overlap. You can create take folders, join the regions, or create new tracks.

These settings are covered in depth in Chapter 7. You can also set the audio recording path in this window. You can also experiment with several alternate scale types, though most people stick with Equal Tempered.

Sample rates are described in detail in Chapter 5. You can adjust the automatic management and naming of channel strips. If you plan on mixing in surround sound, you can choose your surround format. This pane has many settings, and most are for professional notation. If you plan on printing a lead sheet, quick parts, or guitar tablature, you may need to check out these settings. Otherwise, the default settings are often all you need.

Project templates save you time and give your clicking finger relief so you can use it for more creative pursuits. Importing settings from other projects into your current project is a breeze. A dialog asks you to find the project from which you want to import settings. Select the project, choose Import, and the window in Figure appears, displaying the settings you can import into your project.

Select the project settings you want to copy and click Import. Figure Copy settings from other projects. If you want to import track content the audio and MIDI regions and channel strip settings from another project, you use another project import option. In the dialog that appears, select the project from which you want to import and then click Import. The all files browser opens on the right side of the main window and displays the track import view, as shown in Figure Decide what you want to import by selecting the check boxes.

You can also bring in markers and other global track content. Replace mode works on only a single track at a time. As you can see, you can import information into your current project in several ways.

Another way to get to the projects import function is to use the all files browser and navigate to a Logic project. Click the All Files tab of the browser, select the project from which you want to import, and double-click the project or click the Import button at the bottom of the browser.

The browser displays the track import view, and you can choose what you would like to import into your current project. Export your project for collaboration You might want to export your project for several reasons. Perhaps you want to collaborate with other artists or you want to work on your project in a different software application. You can also export portions of your project for use in other projects.

The dialog shown in Figure appears. Name your file, choose the loop type, select the scale and genre, and add other tags and instrument descriptors.

Click Create to export your Apple loop and add it to the loop library. In the dialog that appears, select the file location, audio file format, and bit depth. In the dialog that appears, select the audio format, the bit depth, and other options that will determine how the tracks are processed before they are exported. That way, if you have marker data, it will be exported along with the tempo information, and your Pro Tools user will have a marker and tempo map to import with the audio files.

The Pro Tools user will thank you and treat you like a hero! All the used regions will be exported, including their track and position references and volume automation. Software instruments and automation data are exported as audio, but MIDI tracks are ignored. You should give your project a spring-cleaning to get it ready for the next season in its life.

This function is safe to use because it deletes only unused data. Figure The consolidate function copies and includes all used assets in the project. Use this function when you need to get to your project file quickly.

A good backup strategy can save you from downtime and avoidable, life-shortening stress. Hard drives fail, so back up your project files on CD or DVD and consider using a service that allows you to back up offsite.

Also, because Logic Pro X will probably not be the final version of this amazing software, export your tracks as audio files so that you can import them into a version of Logic Pro down the line. Your future self will thank you.

You can do most of what you need to do right in the main window. But you can also open windows separately and push windows to different displays. The program is as flexible as it is simple. In this chapter, you discover how to navigate the Logic Pro interface. You also learn some timesaving tricks and smart ways to use key commands to accomplish the bulk of your work.

Navigating Logic Pro X with speed and purpose will put your music out in the world and build your project catalog. Navigating Logic Pro To get the most out of Logic Pro X, you should know the name and purpose of each area of the main window. The main window title makes more sense because you can use it to do a lot more than just arrange.

The name also stresses the importance of this Logic Pro key element. The main window includes the tracks area and the control bar. To display the main window, choose View on the main menu bar.

When you create a project, Logic Pro asks you what type of track you would like to create. The tracks you create are added to the vertical track list to the left of the tracks area.

I cover the track list in more detail later in this chapter. Download a Logic Pro X project template with several tracks and regions so you can follow along with the examples in this chapter. The toolbar above the tracks area, shown in Figure , contains several menus to help you work.

Figure The tracks area toolbar. The options in this menu are almost identical to the options in the Edit submenu in the main application menu, so you have two places to execute commands. When you want to do something to a region, check out the Functions and Edit menus first. If Advanced Editing is selected in the Advanced Preferences pane see Chapter 1 , you have a Link option to control the relationship between open windows.

Selecting the secondary ruler is useful when you want to view your project ruler in clock time as well as in bars and beats. The Scroll in Play option continually scrolls the tracks area as you play. I turn off the Scroll in Play option because I like my tracks area to snap when it reaches the end instead of continually scrolling.

The tracks area behaves more like sheet music, where you have to turn a page when you get to the end, but Logic Pro is your personal page turner. I find it harder to follow the tracks area when it scrolls. Both tool menus are described in detail later in the chapter. You can choose the snap mode from the drop-down menu to the right of the tool menus.

At the top of the drop-down menu, you can choose a finer snap value if you need to move a region more precisely. To make use of snap modes, select Snap to Grid in the Edit menu. The different drag modes allow you to overlap, not overlap, crossfade, or shuffle regions in a track. Overlap mode preserves the region borders of the selected region when you drag it on top of another region.

No Overlap shortens the right boundary of the region on the left. X-Fade creates a crossfade the length of the overlapped area. The shuffle modes move the regions in the direction of the particular shuffle mode selection; in addition, resizing a region resizes all the regions, and deleting a region moves the regions by the length of the deleted region.

Shuffle is a complicated function that is used mostly in Chapter 3: Exploring the Main Window and Tracks Area audio situations such as editing voice-overs or audio interviews and not in musical settings.

Controlling the control bar The control bar, which is shown in Figure , is located at the top of the main window. It contains view icons that show and hide windows, transport controls for playback and recording, an LCD display area for viewing important information about your project, and icons for different behavior modes and specific functions.

Figure The control bar. You can customize the control bar by Control-clicking an empty area and choosing the Customize Control Bar option. After you customize the control bar the way you like it, save it as a template so you can recall it later.

When you become comfortable using key commands to navigate Logic Pro, you may never need to click the control bar. But it still provides a good heads-up display, indicating whether certain functions are engaged. The leftmost group of view icons displays the library, inspector, and toolbar. To the right of the view icons are the Quick Help icon and the editor icons. The library is one of the most powerful new features in Logic Pro X, and you find out about it throughout the book. The key command to open the Library is Y.

The inspector is more like three inspectors in one. The key command to open the inspector is I. You can customize the toolbar by Control-clicking it and choosing Customize Toolbar. Details on creating key commands are provided later in the chapter. The smart controls are displayed in the main window below the tracks area.

The content of the smart controls editor depends on the selected track. Smart controls decide which parameters you need the most, and they do an almost perfect job. The key command to open the smart controls is B.

The mixer is so versatile and great that it gets plenty of attention throughout this book, including an entire chapter on mixing Chapter Like the smart controls, the mixer appears at the bottom of the tracks area. The key command to open the mixer is X. The editors open at the bottom of the tracks area; which editors you see depends on whether you have an audio, a MIDI, or a drummer region selected.

All editors are covered in detail in Chapters 14 and The key command to open the editors is E. You can customize the control bar to contain your choice of 17 transport icons. Chapter 3: Exploring the Main Window and Tracks Area Because all these functions are easily performed with key commands, I display only the most important controls on my transport. I always display the stop, play, and record icons because when you click and hold down on them, you see additional options that you often need to adjust throughout your work.

You can see your project in beats, time, or a customized display. To change the display mode, click the left section of the display and make a selection.

A useful feature of the custom display options is to open a giant beats or time display in a separate floating window for viewing from afar. You can enter data directly into the LCD display by double-clicking or click-dragging for tempo and location. You edit other key project parameters, such as key and time signatures, by clicking the display and manually entering the data.

You can customize the control bar so that is displays your most important modes and functions. A few mode icons, such as cycle mode, are useful to have available, even if you know the corresponding key command, because their pressed state lets you know quickly whether the mode is enabled. The list editors icon opens a window on the right side of the tracks area with four tabs: Event, Marker, Tempo, and Signature.

Each tab gives you editing access to the smallest details of your project data. The Event tab updates its display depending on what you have selected. The Marker, Tempo, and Signature tabs show events that affect your project globally.

The key command to open the list editors window is D. I keep copious notes throughout my project, so I open these tabs a lot. The Project notes tab is a great place to write song lyrics. You can filter your loops by using the descriptive icons or you can search for them directly in the search field.

Selecting a loop automatically auditions it. When you find one you like, drag it to the bottom of the tracks area, where you see the Drag Apple Loops Here text. The key command to open the Apple loop browser is O.

The project browser shows you all the audio in your project. The media browser shows you all the media on your computer that is indexed by iTunes, GarageBand, and Logic Pro, as well as the movies in your User Movies folder. The all files browser works similarly to Finder; you can navigate to any location on your computer to import media. The key command to open the browser is F. As you can see, the control bar gives you lots of, well, control.

Even though most of these modes and functions are available as key commands, having them in your line of sight can help your workflow. For starters, you can click them. But more than that, they make great visual reminders of what you can do with Logic Pro. Double-click an audio, a MIDI, or a drummer region and the corresponding editor will open at the bottom of the tracks area. An audio region defaults to the audio track editor. A drummer region defaults to the drummer editor. Figure The editors area.

The MIDI editor displays tabs for the score and step editors in addition to the piano roll editor. The audio editor shows a tab for the audio file editor in addition to the audio track editor. Just like the tracks area, the editors area has a toolbar with edit, functions, and view menus; icons; tool menus; and snap and zoom settings. You find out what the editors can do in Chapters 14 and Figure The inspector.

The strip on the left corresponds to the currently selected track. The strip on the right is dynamic and is discussed further in Chapter You can change the track icon here, which I love to do. You discover what the track inspector can do in Chapter 4. The details in both the region and track inspector panes depend on what kind of track or region is selected.

Understanding the difference between the track and region inspector panes will save you from a lot of confusion as you work. You discover more about tracks and regions in Chapter 4. Taking Inventory of Your Track List Every track you create is added to the track list and given a track header, as shown in Figure You can reorder tracks by dragging the track headers to new locations in the list.

You can also navigate your track list by using the up and down arrow keys. Figure A track header. Make headway with track headers Track headers are customizable and resizable. Select the additional items you want to see in your track headers and click Done. You can also Control-click any track header to pull up the Track Header Configuration dialog. You can resize the track header vertically or horizontally by placing your cursor at the top, bottom, or right edge of the track header and dragging when your cursor changes to the resize pointer.

A control surface, such as your iPad, is a hardware device that allows you to control a digital audio workstation such as Logic Pro. Many MIDI controllers can also be used as control surfaces, which allow you to use hardware to control the onscreen faders, knobs, buttons, and displays. Selecting this check box also gives you the option to select the Color Bars check box, which colorizes the track numbers area and visually organizes your tracks.

You find out more about track colors in the next section. When a groove track is selected, a star will appear to the right of the track number and all other tracks will have check boxes that you can select to make a track follow the groove track. For the details on groove tracks, see Chapter Track icons are useful visual indicators and look cool, too. You can also customize what the column displays by using the drop-down menu in the track header configuration dialog.

When a track is turned off, it is silenced. The solo icon mutes every track except the soloed track. You can mute or solo multiple tracks at once by clicking and holding down on the icon and dragging your cursor up or down the track list. Protecting a track is useful when you want to make sure it remains exactly as it is, without accidental changes.

This feature is useful for software instruments and audio tracks with lots of plug-in effects that require a lot of processing power.

With freeze enabled, all plug-ins including software instruments are temporarily deactivated and the track is turned into an audio file that includes all effects. Use this icon whenever you need to set audio levels for recording or to practice a part you plan to record. Plus, I find the mixer controls better suited for the job. The volume slider does double-duty as a level meter. You can change the pan control to an effects send control.

You learn more about send effects in Chapter You can quickly rename a track in the track header by pressing Shift-Return and typing the new name. You can get through the entire track list by pressing Tab between each new name. Chapter 3: Exploring the Main Window and Tracks Area Make it pretty with track colors Track colors not only make your tracks pretty but also help you identify tracks and groups of tracks quickly. In the track header configuration dialog refer to Figure , you can display the color bars to aid visual recognition.

When you create new regions on a track, they are also colorized in the same color. You can even change the color of regions independently of the track color. However, selecting a track automatically selects all the regions on the track, so if you colorize a track while all the regions are selected, those regions will also change color. To change a track color, Control-click a track and choose Assign Track Color.

By default, MIDI tracks are colorized green and audio tracks are blue. I always group my tracks by color. Drums get their own color, lead vocals get their own color, background vocals get a different color — you get the idea. Group your groups with color. Fortunately, you can zoom tracks in several ways. With Auto Track Zoom on, as in Figure , the currently selected track will automatically zoom horizontally.

You see not only more of the track contents but also a quick indicator of which track is selected and has focus. The key command makes it easy to toggle between the two zoom states. Figure Auto track zoom on a selected track.

Drag the sliders to adjust the zoom level. If you want to zoom in on a specific area of your tracks, you can use the zoom tool. Your cursor will temporarily turn into the zoom tool, and the area you select will automatically zoom when you release the cursor.

To get back to the previous level of zoom, press Control-Option while clicking anywhere in the tracks area. You can recall up to three levels of zoom by using the zoom tool. This means you can zoom in on a large portion of your project, zoom in on a smaller section, zoom in on a single part of a region, and then recall each one in sequence just by pressing Control-Option and clicking the tracks area.

If a region is not selected, this zoom command zooms out to fit all the content in the tracks area. The tracks and regions are smaller and you can view all your content. If you have any regions selected, the same command will zoom in on those regions.

One more zoom to consider is the Waveform Vertical Zoom. This zoom feature makes your audio waveforms larger in the regions without making the regions themselves bigger. If you forget the key command, use the waveform vertical zoom icon to the left of the zoom sliders in the tracks area toolbar refer to Figure The default state of zoom should be to see the entire project.

You learned how to zoom out to see your entire project by pressing Z with no regions selected. From that position, you can easily see where you want to focus and get there quickly by Option-Command-dragging over the area.

This method of zooming creates an efficient workflow. You can zoom in and out of your project in many other ways, as you discover later in the chapter when you read about creating your own key commands. But Logic Pro is about having fun. So think of your toolbox as a fun box.

The toolbar in the tracks area has several tools you can play with. Another important key command is T. This key command opens the tools menu, as shown in Figure In several windows, including the tracks area and most of the editors, pressing T opens the tools menu, and you can choose a tool with your cursor or with the keyboard shortcuts listed on the right.

Note that the keyboard shortcut for the default pointer tool is also T, giving you an efficient workflow in which you can press T twice to get back to the pointer quickly. Figure The tool menu in the tracks area. Using the pointer tool, you can copy items by Option-dragging them. Grabbing the corners and edges of regions can temporarily cause the pointer to take a descriptive shape as an indicator of additional pointer functions. Place your cursor over the upper half of the right side of a region to turn the cursor into the loop tool.

With the loop tool active, dragging the region corner to the right loops the region. What makes the pencil unique is that it creates regions when you click in 47 48 Part I: Leaping into Logic Pro X empty track areas. If multiple regions or events are selected and you click one of them with the eraser tool, all selected items will be deleted.

However, if you are going to delete several items in a row, clicking with the eraser tool is faster than selecting each item one by one and pressing Delete after each. The scissors tool has a special Option-click behavior that can split a region into portions of equal length.

You can also click-drag the scissors tool over a region to find the right place to make your split. You can also click-drag over items to select them before joining them. With the solo tool, click and hold down on a region to hear it. You can also drag the solo tool through the region to listen to whatever the tool touches, a process known as scrubbing. You can select multiple items and mute or unmute them all at once or simply click any region to mute or unmute it.

The mute tool is a useful arranging tool because you can quickly hear how sections of music will sound without the muted part. Another trick with the zoom tool: If your cursor is over an empty part of the tracks area, you only have to press Option to make your cursor the zoom tool. You can edit the length of the fade by dragging the start or end point with the fade tool. You can also adjust the curve of the fade by dragging up or down within the start and end points.

When automation is active, the automation select tool allows you to select automation data for editing. Show Advanced Tools in the Advanced Preferences pane must be selected to enable automation tools. You find out more about automation in Chapter You drag the marquee tool over the objects you want to select or edit. The marquee selection can also be used for punch recording, which you learn about in Chapter 6. The flex tool will save you from throwing away recordings that contain mistakes because you can fix them.

You have two tools available at all times. Smart controls are dynamic. For example, if you have a compressor and EQ plug-in on a track, the smart controls will give you a combination of the most important controls of each plug-in.

If a software instrument track is selected, the smart controls will also include parameters that affect the sound of the instrument. Last but not least, smart controls look cool and make you want to play with them. I memorized the smart controls key command by remembering the word best, as in best controls. Figure The smart controls.

At the top of the smart controls is a menu bar. If the selected track is a software instrument track, an arpeggiator icon appears on the right side of the menu bar, as shown in the margin. An arpeggiator turns the chords you play into arpeggios, or one note played after another as opposed to simultaneously. Click the icon to turn on the arpeggiator and a pop-up menu will appear so you can choose a preset or adjust the settings.

The arpeggiator is a popular synth effect across many genres. To enable the smart controls icons and features described in this chapter, Show Advanced Tools must be selected in the Advanced Preferences pane. On the left side of the smart controls menu bar is the smart controls inspector icon shown in the margin and a Compare button.

The icon opens the inspector on the left side of the Smart Controls window, as shown in Figure The Compare button compares the edited smart controls with the saved version. You find out how to adjust the plug-ins directly in Chapter Think of smart controls as shortcuts to the sound parameters that you use most often.

For example, if your track contains a software instrument, such as an electric piano, the smart controls will give you the knobs that are frequently needed to adjust the sound of an electric piano. If you were to also add an effect to the track, the smart controls will readjust based on the new setup. But what if you want to manually customize the smart controls for a particular purpose? Fortunately, smart controls are as flexible as they are intelligent. They also have a menu of gorgeous layouts designed to emulate the look and feel of gear you may be familiar with, such as classic guitar amps and instruments.

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